Group Show: Currents

Press Release

Reception: Saturday, March 11, 3-6pm

Skoto Gallery is pleased to present Currents, a group show of paintings, drawings, sculpture and mixed media by Afi Nayo, Cathy Leibowitz, David Rich, Lula Mae Blocton, Osi Audu, Qwusu-Ankomah, Tom Otterness and Wosene Worke Kosrof

The show’s title “Currents” reflects the diverse personal cultural backgrounds and styles of the exhibiting artists working across different time periods, and alludes to the vitality and creative energy that run through their work. Their approach to making art is through a contemporary experience, each one of them represents a resonant voice that achieves its own distinction and clarity amidst changing realities in a world of ceaseless change. The works included in this show are phenomenal in their own right, embodying individual creative distinctions as well as group configurations. Besides the visual power and the politico-historical significance imbued in the works, the show is also a meditation on the flow of aesthetic influence – and the larger claims of Modernism to subsume or complete the ambitions of all other art stories.

The work of Afi Nayo reflects a longstanding commitment to extracting textured patterns with mosaic-like delicacy and cosmopolitan refinement from a complex language of symbols and signs drawn from the unconscious to obtain a poetic amalgam of abstraction and reality, revealing a reality behind the visible things around us. Symbols become patterns and then symbols again as the imagery vacillates between seen and unseen, between the remembered and the disassociated, revealing minute treasures for those who linger long enough to see them revealed.

Osi Audu has consistently maintained a persistent focus on the dynamic relationship between shape, form and color while remaining firmly rooted in the Yoruba philosophical concept that the human head encompasses a duality of spirit and matter, mind and body. The notion of the subconscious is a powerful one and can be very much seen in his work’s high originality.

Owusu-Ankomah is an internationally acclaimed artist whose work draws inspiration from the visual powers of symbols including the ancient Adinkra sign system of his homeland, abstract symbols, logos and ideograms from contemporary global cultures, combined with an awareness of a vast array of both formal and inherited traditions to create work that is dense with visual complexity.

The panoramic scope of Cathy Lebowitz’s drawings belies their modest scale. Intricate networks of line and color press inward and outward within each composition. In a visual construct akin to quilting and embroidery, the compositional elements appear to undulate in a consistently compressed space. Her subtly nuanced palette reinforces the allusions to land, sea, and sky. Acknowledging art historical influences from Duccio to Charles Burchfield to Shirley Jaffe, Lebowitz offers meditations on delicate ecosystems, as each work encompasses a precarious though precisely calibrated balance of form, line, and color.

Arising from a particular intersection of abstraction, neighborhood interactions and lived experience, David Rich’s work reflects a decidedly impure and vernacular approach to painting. The focus is not on literal description but rather on attitude and presence, evincing a lyrical beauty and an aura of spontaneity that belies it’s surprising seamlessness between the spiritual and physical worlds. His work advances creative dialogue with an abiding confidence that visual images can still communicate powerful emotional and spiritual values in addition to formal aesthetics.

Lula Mae Blocton is an African American artist and painter. Color is her passion. What she has been dealing with is the quality of color, looking at it and perceiving it as transparent. Throughout her career she has tried to identify herself through the use of color relationships and structure. Her work can be seen as specific stages of developing towards these goals. Lula’s early work consisted of overlapping geometric patterns creating transparent combinations of color, much like weaving cloth to create a pattern.

Tom Otterness is renowned for his bronze sculpture which animates public spaces with humorous character that chronicle the absurd and parody man’s insecurities. His themes are both specific and general, and his ability to craft myths so strong as to turn current events and political reality into children’s fable and festive celebration. The playful and even comical quality of his sculptural narratives are infused with multi-layered allegorical commentaries on the fragile human condition that strategically merge private concerns with social agenda, a sensitivity to history with an acute political consciousness. His graceful drawings suggest multiple sources ranging from political cartoons of the French revolution, classical myth and the perilous times we live in today.

Wosene Worke Kosrof continues to draw upon an individual reserve of personal and collective memories to activate a meaningful form of engagement that celebrates the richness of Ethiopia’s visual culture. He fuses a vocabulary of signs and symbols drawn from reconfigured Amarhic script with a mastery of the nuances of color and composition as well as an open-ended improvisational sensibility to create work that comes alive to convey temporal and spatial dimensions of the written word.